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El Abejorro вЂ“ Emilio Pujol, the best guitar pro tabs and music sheets for guitar, bass, drums, piano and more! |ДЄcoustic Guitar sheet music Classical Guitar sheet music Publisher: El Abejorro Der Bienenstock Guitar. El Abejorro by Emilio Pujol tab with free online tab player.

#Emilio pujol tablature download#

Download Emilio Pujol вЂ“ El Abejorro Description. The first, Invocacion, is a setting of a Gregorian Chant, Salve Regina, I believe.Download Emilio Pujol вЂ“ El Abejorro Short Description.

Here are a fewВ lesser-known compositions by Pujol. Llobet, Pujol, Juan Carlos Anido, Maria Luisa Anido, Domingo Prat. As ever, dear reader, the choice is yours! His preference is clearly for flesh playing, yet he does not discount nail playing outright. He ends by saying we should be glad we have both ways of playing.

#Emilio pujol tablature pdf#

There is much more to the essay, of course, and you are encouraged to read it (see pdf link above). Pujol goes on to say, вЂњIn order to obtain the tone withВ the fingertips thatВ TГЎrrega did, it does not suffice to cut oneвЂ™s nails short the tone has to be formed: i.e., a certain balance between touch, resiliency and resistance must be developed in the flesh of the fingertips, which can only be acquired by constant practice and careвЂќ. Sitting ( left to right) : Enrique Garcia ( luthier ), Miguel Llobet and Emilio Pujol.В Standing : Eusebio Gual, Vilatoba de Sabadell (photographer), Fernando Gausente (founder of the Music Center in Sabadell, Spain). But whether it was his troubled, searching soul or a medical reason brought him to playing without nails, he seems to have made the most of his discovery, and encouraged his pupils, including Pujol, to cut their nails off.

Others, such as Domingo Prat and Isaias Savio, claim thatВ TГЎrrega suffered badly from a hardening of the arteries, which caused his nails to wither. Once he did realise the superiority of flesh playing,В TГЎrrega withdrew from public concerts for some timeвЂ¦ He had to work constantly in order to conquer the difficulties of the new technique in which he was to be master and pupil at once, and when at last these difficulties were overcome, those who heardВ TГЎrrega play will never forget the wonderfully pure sound his guitar producedвЂќ. He then discusses how strings have been plucked by artists in the past, such as vihuela and lute players, but especially the two Spaniards, Sor (flesh) and Aguado (nails).ДЇinally he gets to his teacher, TГЎrrega, who had learned initially from AguadoвЂ™s method вЂ“ вЂњHe did not realise in those days the possibility of producing a better tone. As the guitarist canвЂ™t have both, hence the dilemma. Pujol starts by attempting a scientific explanation of sound, and comes to the obvious conclusion that a string will sound different depending on what it is struck with, specifically flesh or nail. HEREВ is a pdf of the English translation of this out of print book. Regarding the nails, no-nails debate, Pujol wrote one of the most important essays on the subject, entitled вЂњ The dilemma of timbre on the guitarвЂњ. The volume ends with over thirty вЂњEstudios ComplementariosвЂќ. The fourth volume includes many effects, such as tambora, rasgueado, more advanced use of harmonics and tremolo, trills, etc, etc.

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The student who works through volumes one to three should have little fear of professional scores.

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There are thirty nine full studies and many short exercises. The third volume intensifies the study, using the full range of the fretboard. The volume ends with twelve studies and a duet. The second volume gets down to playing the instrument, with many exercises for both hands, covering individual movements of the fingers and thumb, the Barre, chords, arpeggios, scales, independence of finger movements, slurs, harmonics, and tuning the 6th string to D. The first volume provides much useful information on the guitar вЂ“ its physical make up, the thickness of the strings, the use of the turnavoz, the notes and intervals on the fretboard вЂ“ and the techniques of both hands. English translation of first three volumes by Editions Orphee) is a four-volume treatise. The Escuela Razonada de la Guitarra (pub. Pascal Roche, in the third volume of his tutor (see Technique) providesВ an interesting insight into PujolвЂ™s manner of playing:В вЂњthe brilliant Miguel Llobet, the delicate PujolвЂќ. So much so, he dedicated his life to forwarding, through his books and teaching, the principles of technique he learned from his master. Emilio PujolВ was transfixed by Francisco TГЎrregaвЂs playing.